Wednesday, October 29, 2008
This is a project I have been involved in this year, and am extremely proud of. 2 years ago I made an EP of songs that incorporated EVPs (unexplained voices) with electronica music. That album entitled Ghost Suite will be available here before long. Two very talented recording artists, Norbert Croonenberg (HaveMercy) and Mikael Hannson (Colab) decided they would like to remix the songs from my Ghost Suite album and eventually Ghosts Inc. was born. The album that we have so far is 6 songs and they are really something special. Eventually there may be 2-4 more songs on the album, so we are calling this album Sounds From The Attic version 1.0. Our MySpace page is HERE so give us a visit and say hello, I hope you like the album.
download sounds from the attic v 1.0 (320kbps)
Thursday, October 2, 2008
This remix of a song called Sima Edy by Dub Colossus was made largely as a memorial to the late greats Earl Palmer, Richard Wright and Hector Zazou. To hear many great remixes of artists on Peter Gabriel's Real World label visit Real World Remixed.
Friday, September 19, 2008
This LP from 1979 features one of the writers of the famous song "Video Killed The Radio Star". Ironically, the song became somewhat of a self fulfilling prophecy for Bruce Woolley. He released a rocking version of the song in 1979, but it was eclipsed by The Buggles version thanks to MTV showing their music video repeatedly.
BW&TCC were similar to The Buggles but rocked harder and also featured Thomas Dolby who would become famous very shortly with his solo LPs. The album shows similarities to Bowie, Sparks, Devo, Talking Heads and Brian Briggs. The band is tight and lively and Woolley's singing and lyrics are a lot of fun. The album was released in the US as a self titled LP and released in Europe as "English Garden". Sadly, this classic artifact from the New Wave era is long since out of print, and quite expensive to get on CD. I sincerely hope this will be available again on CD in the future, but until then, here's a copy to enjoy from vinyl.
UPDATE- Bruce Woolley now has 2 web pages that are really worth visiting and joining:
Download Part 1
Download Part 2
Tuesday, September 9, 2008
This is SMB's 6th album, and thanks to the tendency of music critics to completely "ape" each other, it is his least popular of their first 10 albums. The album gets a bad rep possibly because it is half studio half live recordings, but it is a diverse album with memorable moments. Don't believe all the negative hype behind this record, it is still classic SMB and should be regarded much more highly than it is. The live songs show the side of Steve Miller that later blues/rock guitarists like Stevie Ray Vaughan would become famous for. The studio tracks are all strong and the tune "Rock Love" is almost pure pop perfection. I am stunned that none of these tracks were released on SMB's box set a few years back, they really don't deserve to be this obscure. I found a copy on Soulseek and it was ok but had too much noise reduction and not enough stereo separation, so I remastered that copy quite a bit, and re-ripped it to LAME 3.98. The artwork was also tweaked a bit, but comes pretty close to the original. I hope you will agree that this is a good album that does not deserve to remain out of print forever.
Rock Love LP in LAME
Rock Love LP in LAME
Friday, July 18, 2008
A few years back, Flaming Lips released a box set which contained most of the LPs and EPs from the early years of their career. Sadly, they did not include the full 23 minute version of their song "Hells' Angels Cracker Factory". It is one of the best pieces included with previous editions of "Telepathic Surgery" LP. This is an ambitious psychedelic song that helps keep the album from sounding too "sold out" or radio friendly. There are lots of things going on to keep the listener interested, and it shows the sort of ambition which would eventually win the group critical acclaim. There is a link listed in the comments section for downloading the full track.
Monday, June 30, 2008
A few months ago, I started talking to Kevin Sartori creator of the great blog, Psychotic Leisure Music (One of the biggest inspirations for my blog). We decided to pool our resources and come up with as many of the songs from UTEOFTW as we could find. Together we came up with most every song that was on that fine film including the music that the actors made. Now the official OST is still in print so we decided not to offer the complete collection we assembled, but it did seem appropriate to offer the songs that aren't on the OST. So here is a link to a file of nearly everything that was on the film that isn't already on the OST or the unreleased score (which you can get at Psychotic Leisure Music). This collection does feature a few of Graeme Revell's unreleased score tracks, all of the AKA Pygmy music, aboriginal music and most of the actor's jams. Combine this with the official OST and score and you have almost everything that was on this fine film. Thanks again to Kevin for his fine contributions to this project, be sure and get the unreleased score from his fine blog.
Download Missing From UTEOTW
check out unreleased score
Download Missing From UTEOTW
check out unreleased score
Saturday, June 21, 2008
This is 4ADs 1993 compilation album with some extra bonus tracks and a pdf file of the complete booklet and cover art. The pdfs and 2 songs came from a download shared by Alexei Luther on his great blog, Difficult Listening. 75% of the songs came directly from my CDs, and the rest came from Limewire and Emule. I arranged CD2 so that every artist now gets 2 songs, and included 2 by the group Belly as well as 2 more by Dead Can Dance. the final 2 songs on CD2 are both by the Tintwhistle Brass Band covering 2 Pale Saints songs. CD 1 has the additions of "Lolita" by A.R. Kane and a rare track by Bettie Serveert called "Get The Bird". I wanted to take this opportunity to mention an incredibly cool website that is all about 4AD. It is called Eyesore, and it has a huge database listing nearly every 4AD release/artist since the label first began. You can find out what albums each song/artist has appeared on. They also have the Rare 4AD series and lots of beautiful album art and more, do yourself a favor and check it out, http://eyesore.no
Thursday, June 12, 2008
This excellent album went out of print very soon after it's release and has not ever made it to CD in the US. The recording sessions vary in age quite a bit. Lonesome Boy was recorded about the same time that Eddie Cochran was helping him out, while Weeping Willow and some others were recorded after Eddie's tragic death. Although it is one of his less cohesive LPs, it is a great one nonetheless and deserves to be heard in High Fidelity. The download is a 256 kbps copy of songs that appeared on The Gene Vincent Box Set of Capitol and Columbia recordings, it is recommended highly. The tracks leave on extraneous material like studio talk, and an occasional false start. I also added 2 bonus tracks and 2 alternate takes. This album boasts a huge number of respected musicians and session players from both The United States and Europe. It features at least 2 eras of Blue Caps as well as Sounds Incorporated (who played on The Beatles Sgt. Pepper Album). Weeping Willow is a British all-star tribute to the recently deceased Eddie Cochran. I hope you'll enjoy this LP as much as I do. Notice that the production, arrangements and vocal performances exceed that of the early 60's British Invasion groups in sophistication. The Beatles wouldn't come close to this level of excellence until the mid to late 60's. I own every song Vincent has released during his lifetime with the exception of his last 2 LPs for the Kama Sutra label. If anyone has those albums they want to share let me know please.
Download 256 kbps
Saturday, May 17, 2008
I was completely shocked to find out that this album is currently out of print in the US. So while that is the case, I thought I would share a link to a FLAC copy. This was Orbital's 3rd LP, released in 1994, it is, in my opinion, the closest they have come to a concept album. Get it while you can, because this probably won't stay out of print for long. Then, of course, get yourself a new CD.
Snivilisation FLAC (500 Meg)
Thursday, May 8, 2008
I was saddened yesterday to discover that a real nice net label that I have released 2 albums on seems to be calling it quits. The label is OUIM they were founded in Bulgaria in 2005 and have consistently offered some very fine electronica from all over the world. The quality is high on every release I have heard from composition to presentation of the final product, with very nice looking cover art and high bit-rate downloads. The label hasn't offered a new release since my early January offering called "Winter LP" and the site says we are closed, sorry. Fortunately all their fine music is still available there to download for free, and I strongly recommend the works highly. For killer modern hard stuff try Death On Glamours LP, and for the most atmospheric ambient check out any of Observation Point's releases. I can only hope, that continued support may bring this fine label back from closure. In the meantime, if someone can recommend a similar net label, I need a new home for my free original music.
UPDATE: I am happy to report they are back and releasing free albums and live sets for your listening enjoyment.
At the request of a few folks here, I decided to share the 2nd and final album by Old Skull. By the time of this album Jesse Collins-Davies had left the group as well as Graham Lindsey, and Chris and Josh Scott became lead vocals and guitarist. This is the album where father/manager Vern Toulon wrote some of the lyrics. The album was released in 1992, after which they embarked on a Japanese tour but broke up shortly thereafter. The biggest difference in this album from Get Outta School is that there is more polish in the playing and actual chord progressions. The vocals are scratchy and angry enough to impress even Al Jourgensen of Ministry and possibly scare Freddy Krueger. What I miss is the reckless abandon and virtual anarchy of the first LP. Most of these guys have re-appeared in adult musical acts in recent years, although nothing is reported about this LPs lead vocalist and guitarist, if anyone knows what became of Chris and Josh Scott, please leave a comment here. Old Skull's most thorough bio can be found at wikipedia. The cover scan was supplied to Amazon.com by Escapist. If you'd like to hear or read about their first LP (My Favorite) click HERE.
CIA Drug Fest (VBR LAME)
Monday, April 28, 2008
The Exotic Moods Of Les Baxter was released by Capitol in 1996, and is my opinion the finest Les Baxter collection of all time. It is superior sound quality to some of Capitol's previous Baxter releases, and the song selections are terrific. This is 40 of Baxter's finest soundscapes from his years at Capitol records spanning from the 1940s - 1960s. This is over 2 hours of rich, vibrant exotica and a few lounge tracks. The only the thing I wish had been added are the songs "Tropicana" and "Atlantis", otherwise it is an impeccable sampler. The unbelievable thing is that this album is not in print, and it costs a pretty penny to buy it used. Prices seem to fluctuate between $55 to $90. I am in complete hopes that Capitol will reissue this gem of a collection as well as their similar Martin Denny collection. Until that happens there will be a link located in the comments section to hear this wonderful collection in Hi-VBR LAME MP3s. I do not know the original source of this copy, it was acquired on Daemonoid back in the day. There is on CD2 an additional bonus track of "Atlantis" which I added. The cover pictured here is from the great exotica blogpage Xtabays World. This finishes my posts about exotica for the time being, I will return back to my eclectic offerings.
Thursday, April 24, 2008
This is the final song on the final album by the original line-up of The Deviants. Most of these musicians would soon become known as The Pink Fairies. This is not a very popular album amongst Deviants fans mainly because it is a radical departure from their Fugs inspired classics. I like this song quite well because it does capture the feeling of progressive rock which these musicians would soon be doing full time. I only remixed the song slightly, speeding it up without changing the pitch. I feel it captures the energy these guys were capable of, and soon would become better known for. I also tweaked the cover a bit so that it is seamless now. I recommend this LP to anyone who loves progressive rock and The Pink Fairies.
Download remix (256 kbps wma)
Sunday, April 20, 2008
Bora Bora was a romantic film directed by Ugo Liberatore filmed in 1968 and released in 1970. This is an excellent soundtrack by the renowned Les Baxter, and exceptional in that it is a real return to his exotica sound. There is a 1960's vibe that makes his lush sound more modern, but it is classic Baxter magic otherwise. There is a good copy of this on Xtabay's World, it is a 128 kbps rip direct from vinyl and it is best for vinyl purists. I remastered his copy so that the eq brings out the highs a bit more, adjusted volumes and stereo seperation and added fades to the end of tracks. LAME assigned a higher bitrate to these remasters, but it is audibly the same as the 128kpbs version. No disrespect is intended to the amazing Xtabay blog, and I will remove this if the original ripper or author wishes.
Download Bora Bora
Wim Wender's films are such a treasure, not only are they cinematic masterpieces, but the soundtracks are always exquisite. I was sickened to discover that both the Songs and Score to this film are both out of print in the US. There is music by U2, Tom Waits, Eels, DJ Shadow, Los Lobos and a Brian Eno remix of a previously unreleased Roy Orbison tune just to name a few of the gems on the Soundtrack. Also there is another CD of the original score written and performed by Ry Cooder and his son Jachim, with the help of Jon Hassel, Howie B, and Jim Keltner to name a few. Both Soundtrack and score are out of print which is inconceivable to me. So here is a link to download both. I also recommend the film to anyone who hasn't seen it, it may not be one of Wender's finest films, but it offers plenty.
Download Soundtrack and Score
Sunday, April 6, 2008
This is everything I could find by Homer & Jethro, I own their best of collection on vinyl and a couple of songs on CD collections, everything else was found on the internet. 33 songs spanning almost their entire career including 2 instrumental numbers that showcase their talents as musicians. The quality of the sources varies drastically, but I have attempted to smooth out the scratches, eq and volume differences. I would love to find a copy of them doing I Want To Hold Your Hand so if anyone has that, please let me know. These fellas were funny, talented and deserving of more CD releases than they currently have. For more information on these two go to their wiki link, or their page at the Country Music Hall Of Fame.
Download Link (VBR LAME)
Thursday, April 3, 2008
This was an LP that my parents bought to play at parties, and I loved it since I was very young. Instead of being a concept album it is mostly a very mixed bag with a wide range of styles. The biggest treats on this album are Tropicana, Blue Tango, Julie and Atlantis. Tropicana was the song that really turned me on to this album and Les Baxter as an artist. It displays most of Baxter's best talents in a very quick and concise number. Plus the percussion and arrangement show more reckless abandon than most other songs from around 1955. Not to say that the song is sloppy though, it is very tight and precise. But the tom toms and timbales duke it out now and then as if in a boxing match against each other. The dynamics also make the piece seem ferocious at times, sometimes getting louder to really punctuate the ending of a phrase. I can't say enough good things about the song, so I'll leave any further observations up to the listener. Blue Tango is one of his better known pieces and it speaks for itself. Atlantis features really strong lively hand percussion that contrasts beautifully with an exotic flute passage. I didn't expect to share lounge music on my blog, but I noticed that this LP and the song Tropicana are very difficult to find on the internet, so here's my copy. Unfortunately this is the same exact copy that I have been playing since around age 7, so some of the quieter songs suffer from scratches and static. If someone out there has a cleaner copy let me know, I would love to have a copy, until then enjoy this one. I just noticed another vinyl version at a lower bit-rate is available from Thrift Shop DJ .
Download vinyl album (VBR LAME)
UPDATE- I just realized that I owned 5 of these songs on CD so I now made a Hybrid version incorporating my old vinyl with the CD masters, so 5 songs are now from a digital master. If someone has Tropicana from a digital master, I'd love to get a copy.
Download digital/vinyl hybrid (VBR LAME)
URDATE - I made one final version that adds a bit of reverb to the tracks to compensate for noise reduction that was used.
Download Reverb Version
Monday, March 24, 2008
This is the second to final Can album before the musicians took about a decade off for side and solo projects, it is also the only album to have no involvement from Holger Czukay. I assume it is the last fact that makes this album the only one of their original releases to not be in print. It is very unfortunate that Czukay is not on this album, but it is still a fine piece of work. there are 4 songs that I feel still capture that audio magic that these fine musicians were so capable of conjuring. Michael Karoli's guitar solos on the songs Serpentine, November and Seven Days Awake stack up along with some of his finest recorded moments. The rhythm section delivers exceptional playing as well as keyboardist Irmin Scmidt. Rumor has it that Jaki Liebzeit had a very limited role on this album, but he is credited on 5 of the 7 songs, so I tend to feel that rumor is false. This version originally comes from the old TKO magnum CD release which unfortunately was taken from a so-so vinyl copy. I went and remixed these tracks so that the high end is brought out more, and I increased the stereo separation as well. The cover art here was also taken from that CD but was retouched to look more like the original 1978 release. I Hope you will enjoy it like I do.
Download Can-Out Of Reach
Sunday, March 2, 2008
I restored some classic record covers to print up for CD size. I don't have my own scanner, so I had to use the best versions I could find. So none of it is high Resolution. Hopefully it may prove useful or entertaining regardless. These are all great LPs and highly recommended for purchase. Two covers here are collages that I made to be used for whatever. Click on the 2 panel covers to see them in CD size. I hope to get better at this when I have a scanner and a program more sophisticated than Window's Paint. If you use these scans on your website, please give me a mention, thanks! the top picture is courtesy of a great blogspot called Xtabay's World.
Friday, February 29, 2008
This is an album I owned as a boy, I believe it was the first group I ever bought a record by without my older brother's prior recommendation. Since it was my own "discovery", I earnestly tried to enjoy the album, but I must admit, it isn't the kind of music most kids would like, and I soon traded the album away. I found the record again on Ebay a few years ago, I snagged it to bring back forgotten memories, and now I appreciate the music much better. The album came out on Atlantic records I believe around 1969, and I'm guessing didn't do very well. The album pictured a group on the front, but didn't say anywhere who the members were and what they did. I determined from the individual song credits that the band consists partly of: Paul Giovanni, Gregg Kreutz and Ken Zeserson. Paul Giovanni appears to be the lead vocalists, and he went on to create the score for the original "Wicker Man" film with a group called Magnet. The vocals on that soundtrack are remarkably similar to those on this album, leading me to the conclusion he was the lead vocalist with Side Show. Giovanni went on to become a writer, and has since passed away. Gregg Kreutz (Bass) went on to become a Master painter and playwright he has a website here. Ken Zeserson is still a musician and has played with The Purple Valley and Radio London. The music on this album is hard to categorize, it reminds me of mellow progressive rock and also the folk/rock songs of the late 1960s. I think what I like best is the tasteful arrangements and the instrumental touches which were recorded very clearly. The album was produced and conducted by Arif Mardin, so there are a few nice string arrangements occasionally. The overall feeling of the album is mellow and restrained which may have been a factor in the group not becoming famous, but it does make this a worthwhile album nonetheless. If you love the soundtrack to "Wicker Man" you will enjoy this album since it has a similar maturity and the same lead vocalist. If you know any more about this group, or if you also owned this LP let me know, I have never met anyone else who had even heard of them.
Side Show LP
Wednesday, February 27, 2008
If you are not aware of Bruce Haack read up on him a bit at Wikipedia. He was a very talented and inventive composer and his album Electric Lucifer is for my tastes the highpoint of his career. The LP is now available on CD so I am only going to offer one song to help promote and showcase the album. All downloads I found taken from the vinyl release have a skip on track 4 making it less than enjoyable. The new CD release was taken from the original source tapes recently found in the Columbia record's vaults. It is stunning audio quality and I recommend it highly.
Thursday, February 21, 2008
In spring of 1966 after riding high on the artistic triumph of Pet Sounds and the commercial triumph of Good Vibrations, Brian Wilson set out to make a Beach Boys album that would surpass The Beatles' Revolver album in sonic artistry. The album ended up not getting completed for over 3 decades due to a wide array of problems that overtook it's author Brian Wilson. Finally in 2004 he released a completely reworked version with all new musicians, and none of the other original Beach Boys assistance. Also it was made with a different style of production than the original Smile recordings had and sounds quite different for that reason as well. I became obsessed with the unfinished album when I purchased Smiley Smile on CD about 6 years ago, I wanted to have every original recording from the 1966 sessions that I could find. I possibly even started praying that Wilson would find the motivation to finally complete his unfinished masterpiece, but I'd always hope he would use as much of the original recordings as was possible. I suspect that for legal reasons he chose to redo the whole project with his new musicians and vocalists. So I of course bought the new Smile album as quick as it was released and really like it a lot, but still miss the Beach Boys versions of songs like Heroes and Villains, Good Vibrations, Cabinessence and Surf''s Up. What I did was marry the completed 1966 Beach Boy recordings with the 2004 recordings so that they still flow seamlessly wherever the 2004 album did. I also adjusted the eq and reverb somewhat to make the 2004 recordings sound a bit more like the 1966 recordings. I made a whole new version of Heroes and Villains that is longer than any currently available versions, and I gave a choice of 2 true stereo versions of Good Vibrations. So here is a link to a sampler of what both eras of recordings sound like, and it just happens to be a complete Smile album in it's own right. I highly recommend that you purchase the Capitol reissue of Smiley Smile, the Beach Boy's box set called Good Vibrations and Brian Wilson's album Smile. I don't expect to offer this link for very long so get it while it's here. The VBR LAME mp3s may not play seamlessly unless transferred to wave or flac files first.
1. Our Prayer (Beach Boys)
2. Gee (Brian Wilson)
3. Heroes And Villains (Beach Boys & Brian Wilson)
4. Roll Plymouth Rock (Brian Wilson)
5. Barnyard (Brian Wilson)
6. Old Master Painter/You Are My Sunshine (Brian Wilson)
7. Cabin Essence (Beach Boys)
8. Wonderful (Beach Boys & Brian Wilson)
9. Song For Children (Brian Wilson)
10. Child Is Father Of The Man (Brian Wilson)
11. Surf's Up (Beach Boys)
12. I'm In Great Shape (Beach Boys & Brian Wilson)
13. Vega-Tables (Beach Boys & Paul McCartney)
14. On A Holiday (Brian Wilson)
15. Wind Chimes (Brian Wilson)
16. Mrs. O'Leary's Cow (Brian Wilson)
17. Fire (Brian Wilson)
18. In Blue Hawaii (Brian Wilson)
19. Good Vibrations [45 Single Stereo Mix (Beach Boys)]
20. Good Vibrations [2004 Album Version (Brian Wilson)]
21. Heroes And Villains [45 Single Stereo Mix (Beach Boys)]
Monday, February 4, 2008
In the early 1980s Wall Of Voodoo released their hit single "Mexican Radio" on 12" vinyl. The B-side of the album contained 2 very interesting tracks that captured my imagination for many years. Track 1 is called "There's Nothing On This Side" and Track 2 is "Mexican Radio (Dub)". TNOTS is a track that incorporates strange synthesized noises, a simple electronic rhythm and snippets of conversation mostly taken from Telephone recordings. I had a friend play the track for me several years ago, and I never stopped thinking about how different it was. I believe that track paved the way for me embracing Industrial music a few years later. The second song is a simple remix of "Mexican Radio" that is just experimental enough to go really well with track 1. Since the A side is easy to find and still in print, I did not include that, but Side 2 is somewhat hard to find so I hope you'll enjoy it as much as I do. I just realized that the A-side is a different edit than what appears on their "Call Of The West" LP so a link is listed in the comments for that version.
get it here
Thursday, January 31, 2008
Chrome was a very dynamic group that formed in San Francisco in the late 70s. Their sound incorporated Progressive Rock, Heavy Metal, Psychedelic, Post Punk, Gothic, Kraut Rock and Industrial. I discovered this group through Ralph Records, although they are not actually on that label. This is the last music the classic line-up of Chrome made before a long split up. It was recorded at San Francisco's famous Hyde Street Studios. This is the first album I bought by the group back in the early 80's. It took around 25 years for me to really appreciate the group, but I am a huge fan now. This album is generally considered to be their worst LP, but I have a soft spot for it since it is the first one I heard by them, plus the music is still top notch. The album was issued with incorrect track listing, a deceptively titled song and abridged mixes of songs that previously appeared on the albums "Chronicles 1" and "Chronicles 2". That is the main reason it is not a highly regarded album, however the music is still first rate. I seem to have lost my original vinyl copy of this album, so I downloaded a version on Demonoid (RIP). It was created using the original unedited Chronicles versions of the songs and was taken off pristine vinyl. So, although this isn't actually what the album sounded like exactly, it is the same songs, just properly titled and not edited for time. I added "Future Ghosts" as a bonus track. For those that want an abridged version taken from CD sources, I am offering that as well, it is nearly identical to the original LP. I can't remember the name of the man who shared the long version at Demonoid, but thank you again whoever you are. The top cover shown is from the original 1983 release the lower cover was assembled by me to accompany the revisited 75+ minute version.
Download 75+ Minute Version (From Vinyl)
Download 40+ Minute Version (From CD)
Wednesday, January 23, 2008
Blind Willie Johnson-Dark Was The Night (Cold Was The Ground) remixed by Synthetic. I stumbled onto this fine recording artist from the late 1920's after hearing Wim Wender's commentary on his masterpiece film, Paris Texas. This song really moves me on several different levels, and I never tire of hearing it, so I hope this remix will do it some justice. Buy the album "Dark Was The Night" from CBS/Legacy, it is a fine collection. This song is virtually without lyrics, yet it conveys raw human emotion so powerfully. Also there is an otherworldly quality to Johnson that makes me feel like I am hearing deep testimonies from beyond the grave. I intended for this remix to draw out the raw emotion, and the otherworldly quality as well. The remix is only intended to make people more aware of BWJ and not for self promotion, I will not be offering this song on any profit albums, and will remove link upon request of any person (with the exception of anonymous persons).
Thursday, January 3, 2008
These 3 Wisconsin tykes with the help of their dads Vernon Toulon and Robin Davies (who had both been punk musicians) got a recording contract with Restless records. The result was an album that some consider to be pure garbage, but I've always liked this one. For me, the main thing I like about old School punk is the raw energy and feeling of sonic nihilism, these kids had that in spades! By their next album the group's personnel would almost completely change and the lyrics would be much more influenced by their fathers. But on this album when the kids were around 9-10 years old, the kids sound almost completely unhindered by adult supervision. Think about it, who is better suited to making a noisy, pure energy music nihilism than untrained punk kids? Because of their lack of any polish, I do admit this sounds much more closely related to No Wave music of late 70's New York than any of the well known old school punk bands. Alternate playing this album with the album "No New York" and I bet you'll find a striking similarity. I once spoke to father and agent Vern Toulon about making a music video for the band, but our distance in miles kept that from being a reality, they did make at least 1 video however called Homeless and it aired occasionally and is now on YouTube. These kids are now young men and almost all of them seem to be continuing in their musical aspirations. Take a look at their page on Wikipedia for more complete information. It is being reported that Vern Toulon ghost wrote most of the material on Get Outta School, which I disagree with. I asked him about that back in 1993 and he suggested the kids wrote most of these songs with some topic suggestions from Vern, and he helped much more on the 2nd album "CIA Drug Fest". The lyrics really are very different on both albums which supports that as well. Here you mostly just hear overly caffeinated kids singing about what's cool to them (hot dogs, pizza, skating, kicking ass) and it makes for some twisted fun. There is already a good post of this album on blogger at Outside My Scene, but I thought I would post a higher bit-rate version and share some of my knowledge and opinions about the group as well. You'll want to go to that page if you want the record cover in it's original layout, I just put this one together for those that like a larger version.
DOWNLOAD Album (VBR LAME mp3s)
Tuesday, January 1, 2008
Hey friends I have a new album available for download at 20kbps rec. at a bit-rate of 32 kbps, and from OUIM.net at 256-320 kbps VBR. It is a selection of mind-numbingly chill music to make you dance or get mellow. 4 dance numbers and 2 very ambient soundscapes for your enjoyment. I cannot easily put the dance numbers into one category, there are elements of IDM, trip hop, ambient, illbient and motorik. 5 of the songs are variations on 2 different themes. The odd track out "Birds Of Doom Winter Dance" is based around a recording of a music software malfunction. "Snow Angels" is a 50+ minute soundscape which I created by stretching a Synthetic tune 5 times in length using Paul's Extreme Sound Stretch software.
32 kbps version
256-320 kbps VBR version